Continuity mistake: During the Venice scenes, Ethan's hair length is always the same, except for scene number 1 where he and the team are on a boat arriving in Venice, and scene number 3 where he and Ilsa are on a balcony. In both these scenes, his hair is very short.
Factual error: Near the end of the film Knox is flying a Huey helicopter and the Angels hitch a ride by shooting it with a spear gun and dangling on the line behind it. Suddenly adding about 200kgs to a Huey in flight like that is going to cause all sorts of problems with the trim and airspeed of the aircraft - the pilot would know immediately that something was wrong. (01:23:20)
Continuity mistake: David calls Connie at the White House and she walks toward the divided pane windows, then pulls one curtain to the side. In the exterior shot facing her, the pane's white grille is between the two sides of the curtain, but in the next interior shot looking out, there's only clear glass, though we should see the grille, just as we see both sides of the curtain with her hand holding the right side. Then, in the next exterior shot facing her, it's back to the original with the visible white grille. (00:38:25)
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Trivia: The bar "Mahoney's" is named after the late John Mahoney, who played Frasier's father in the original show.
Other mistake: Towards the end, Chewbacca and Beckett have walked some distance from the landed yacht. They come up a small slope and are faced with Han, waiting for them. But an aerial shot shows that slope is very short and just runs down to a cliff. There's no way they could have got to the base of the slope to walk up it in the first place.
Factual error: In the final fight scene with Malekith, Thor falls through a portal that brings him to Charing Cross station, where the lady on the train tells him he has to ride 3 stops to get to Greenwich. Charing Cross is not on the Jubilee Line and so not directly connected to Greenwich - even then it's a lot more than 3 stops. (01:33:45)
Jim: Well, it got so that every piss-ant prairie punk who thought he could shoot a gun would ride into town to try out the Waco Kid. I must have killed more men than Cecil B. DeMille. It got pretty gritty. I started to hear the word "draw" in my sleep. Then one day, I was just walking down the street when I heard a voice behind me say, "Reach for it, mister!" I spun around... And there I was, face-to-face with a six-year old kid. Well, I just threw my guns down and walked away. Little bastard shot me in the ass. So I limped to the nearest saloon, crawled inside a whiskey bottle, and I've been there ever since.
What movie is this quote from? Might be obvious, might be obscure... Take your pick and see how others did!
Question: Even though Isabel committed suicide, shouldn't she have gone to heaven? She willfully sacrificed herself to insure that Mammon couldn't cross on to earth so in a way, she was saving billions of people, so that should have guaranteed her entry into heaven.
Answer: Sin for a good reason is still sin, and as Gabriel says earlier, you can't buy your way into Heaven. Real Catholic dogma, however, doesn't hold the mentally ill as condemned for committing suicide.
Except Isabel wasn't mentally ill. She saw angels and demons just like Constantine did. It was her parents who believed she was mentally ill.
While suicide is a mortal sin, it's shown later (as in major plot point) that sacrificing yourself to save the world is a redeeming act.
Yes, but Constantine also said "My parents were normal. They did what most parents would do. They made it worse. You think you're crazy long enough, you find a way out" which could relate to Isabel losing her sanity in a way as well because of her family and how they saw her. The whole Isabel's sacrifice is added by the novelization but the movie is ambiguous about the suicide.
Except Isabel wasn't mentally ill. She saw half breeds just like John did.
Sacrificing yourself for others isn't a sin.
Answer: If a soldier jumps on a grenade and dies to save his fellow soldiers, it's considered giving one's life for others. To my understanding, that isn't considered a "sin." If it was a mental health issue, a just God would give her a pass. If she was doing it to thwart Mammon's plans, again she was sacrificing herself. If she did it to get Constantine involved to help stop Mammon, again is was self sacrifice. (Notice how she says "Constantine" just before jumping when her sister views the video?). As a plot device, I understand it, but from a theological standpoint it is weak.
Answer: It is shown in the movie that it was Balthazar who whispered into her ear, gave her suggestions. Eventually she committed suicide to escape that, to escape her torment. She certainly didn't sacrifice herself to keep Mammon out because Mammon needed twin psychics, one in hell and one on Earth to do it, which Balthazar achieved for him.
The film doesn't give information about the need of having one twin in hell and the other on earth to complete Mammon's plan; the movie states Mammon needs a powerful psychic and God's help. It isn't shown either that Balthazar was the one whispering to Isabel's ear considering she was apparently hearing Hellspeak, but no individual besides her appeared on the death scene; therefore, it was left ambiguous. Otherwise, provide evidence of the statement above.
When John and Angela are walking back to the elevator after taking care of Balthasar they specifically mention Mammon needed twin psychics. The only reason would be for their connection. One is in hell, the other on Earth. Through their connection Mammon is able to posses Angela. As for the second thing. When Isabel commits suicide you both hear Balthasar whisper to her and she has the mark on her wrist, like Hennessy had on his hand palm, the sign of Mammon. They wanted her in Hell.
The dialogue, when they are walking towards the elevator, is "Constantine: Beeman said Mammon needed divine assistance to cross over. How's the blood of God's only son? Ángela: The stains on the spear. Constantine: Yeah. Ángela: So he gets the spear. He still has to locate a powerful psychic. Constantine: Not really. Ángela: Twins." Angela says "twins" after hearing Constantine say "Not really." (while looking at her) which made Angela realise that she was Isabel's replacement as a powerful psychic since they had the same gift, but the former's was dormant up until that moment. It's not because the plan needed one in hell and the other on earth. That's never stated as far as we know from the information provided by the film. As for Balthazar, it's never stated it was him who whispered to Isabel. That's an assumption based on hearing the voice alone. Also, the mark appeared on the guy's hand at beginning of the film after he found the spear and Balthazar was probably not there.
It's not an assumption when it's his voice. It doesn't all have to be "stated." And the whole twin part is just a coincidence? Are you saying Gabriel and Balthasar found twin psychics so they have a backup if one of them dies? That's ridiculous. They needed twin psychics specifically, and they make one of them commit suicide. That's not just a random thing, it's what needed to be done. And it's Mammon's sign, not Balthasar's.
It's an assumption because there is insufficient evidence to prove it, and there were other voices in the film to assume it was specifically Balthazar's given that Angela heard a similar voice calling her name when she was in hell and Mammon appeared, which could indicate that maybe it was Mammon who whispered to Isabel too but still not clear though. It's more speculation. Yes, not everything has to be stated since some things are implicitly given although it also depends because it can become ambiguous if it lack details which is open to interpretation, but the movie dismisses any possibility of your theory of "one in hell and the other on earth" by stating what the "villain" needed and with that the argument doesn't work. Otherwise, it would be a plot hole for creating an inconsistency with the rules established before. Angela just realised she was the powerful psychic since they had the same gift, so Mammon didn't have to locate another one since it was there in the other twin.
There is no inconsistency with the rules, there is help from god, there is a psychic. All that fits, the Hell Bible just wasn't specific enough, they didn't know the full plan. There is something significant about them being twins. Both because Isabel was killed and Angela and Constantine realise that's what Mammon was looking for.
Now, all that is just speculation, and misinterpretation of what has been explained in the reply above yours. Not continuing the discussion.
Answer: The film itself can't be blamed for that really because it was left ambiguous; the novelization added the part of Isabel's sacrifice to the story. If we go by what the film gave us then Isabel might have been an unstable person considering even Angela didn't back her up about what they could see which could've led her to believe that maybe she was indeed crazy, and as Constantine said "You think you're crazy long enough, you find a way out." Perhaps she just wanted to end everything that was happening to her. There isn't enough information in the movie to confirm or deny it.
Plot hole: When Charlotte kissed Naveen at the end, she should've turned into a frog as well because she was no longer a princess.
Suggested correction: When ordinary people kiss a frog, they don't transform into anything. (Perhaps they die from infection after a few days.) Charlotte was just an ordinary person. Tiana was chosen. She wished upon the star. Naveen and the consequences of kissing Naveen were a result of Tiana's wish.
Suggested correction: How? She was no longer a princess.
Tiana turned into a frog because she kissed Naveen without being a princess, so Charlotte should have, too.
Trivia: Mayday uses Rust-eeze, Lightning McQueen's sponsor from Cars.
Other mistake: When Skinner calls his lawyer he never dials the phone.
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Suggested correction: Knox wasn't a trained pilot. Either he had no clue to what was going on, or he thought something may have been wrong, but didn't know what to do about it.
Taking off and landing a helicopter are by far the most intense and difficult part of a pilot's training. Seriously, 99% of learning to fly is learning how to land and take off. If the pilot is skilled enough to take off in a Huey he is easily skilled enough to notice a massive additional drag on his helicopter due to the additional weight of the angels and the air resistance put up by such a bulky protrusion on his aircraft. If he isn't skilled enough to notice that, he isn't skilled enough to take off in the first place.