Continuity mistake: Near the end of the movie, when Oppenheimer is being interrogated in the small room, his lawyer is on the phone (we later find out it's Kitty). In a wide shot, he gives Oppenheimer the phone, and he puts it to his left ear. The next shot is a tight shot of Oppenheimer's face with the phone to his right ear.

Factual error: It is barely credible that a young Victorian woman like Elena would even think about wearing a goatskin miniskirt - exposing her legs in those days would be akin to walking about topless nowadays. Even if she did those bright yellow cotton knickers - gleefully visible in the scene in the beehive - are in no way from the 1860s. Her pants are a hundred years ahead of their time.

Visible crew/equipment: At the L.A. Convention Center, just before Castor Troy (as Sean Archer) disarms the bomb, there are a few shots of all the extras evacuating the area. In the interior shot, that looks out through the glass doors onto the street, the tracking crane arm with a seated camera operator and camera on its platform is visible as it shoots an exterior crane shot of all the extras, which was seen among the previous shots.

Super Grover ★

Trivia: Writer/director Marc Lawrence went to Binghamton University.

Question: What does Hu Li say in Chinese near the end, when she is holding the bomb that is about to blow up?

Col. Nathan R. Jessep: Son, we live in a world that has walls and those walls have to be guarded by men with guns. Who's gonna do it? You? You, Lieutenant Weinberg? I have a greater responsibility than you can possibly fathom. You weep for Santiago and you curse the Marines; you have that luxury. You have the luxury of not knowing what I know: that Santiago's death, while tragic, probably saved lives and my existence, while grotesque and incomprehensible to you, saves lives.
You don't want the truth because deep down in places you don't talk about at parties you want me on that wall, you need me on that wall. We use words like honor, code, loyalty. We use these words as the backbone of a life spent defending something. You use them as a punchline. I have neither the time nor the inclination to explain myself to a man who rises and sleeps under the blanket of the very freedom that I provide and then questions the manner in which I provide it. I would rather you just said "thank you, " and went on your way. Otherwise, I suggest you pick up a weapon and stand a post. Either way, I don't give a damn what you think you are entitled to.

Factual error: Although it's a commonly used movie trope, cutting the brake lines on a bus would not produce the effect seen in the movie. Buses use air brakes, which by design, can operate even with substantial loss of pressure and often engage automatically if there is too much pressure loss.

wizard_of_gore ★

Continuity mistake: In the beginning scenes, where Milo Thatch is practising his proposal, he slides over (face forward, chest against the board) a chalk drawing of a map detailing the location of Atlantis. When he realises he wiped off the drawing, and sees it on his clothes, he stands in front of the blank part of the chalkboard, "filling in" the space with the map that rubbed off on his shirt - the only problem is, that the image should have rubbed off backwards as he was facing the board when it transferred to his clothes. He could not simply stand in the place of the missing map face forward and have it read properly.

Continuity mistake: After the speeder chase, everyone lands in quicksand. In one shot, 3PO is buried headfirst. In the next, he has flipped and his upper body is visible.

Trivia: During the scene in the bar with Mystique and the prison guard, the person on the TV is Dr. Hank McCoy - this is the real name of X-Man The Beast.

Plot hole: Joy and Sadness are stuck outside of the control center. They are trying to figure out how to get back, and encounter maintenance workers who are discarding old memories. The maintenance workers show that they have the power to send memories back up to the control center to be played. Why couldn't they send the core memories that Joy had back up the same way? Better yet, why not use that method to send Joy and Sadness back up to the control center? The director of the film is even aware of the plot hole, and said "Yeah, well then we wouldn't have a third act," before explaining how the idea of recalling memories was added in later, "box[ing] [the screenwriters] in a corner a little bit."

manthabeat ★